2021艺术深圳参展画廊 | 東京画廊+BTAP

東京画廊+BTAP

Tokyo gallery + BTAP

画廊单元B01

1950年東京画廊作为日本最早的现当代艺术画廊在银座成立。画廊最初的经营重点是近代日本具象绘画，曾举办有如1956年鸟海青儿展、57年万铁五郎展、加山又造展等等。1958年经过美术评论家泷口修造的推荐，举办了斋藤义重的展览；1960年代，画廊第一时间向日本介绍如Lucio Fontana（卢西欧·丰塔纳）、Yves Klein（伊夫·克莱因）、Jackson Pollock（杰克逊·波洛克）、Friedensreich Hundertwasser（佛登斯列·汉德瓦萨或百水先生）等西方艺术家展览，同时积极为高松次郎、白髪一雄、冈本太郎等引领日本当代艺术发展的艺术家们举办展览。

1970年代，多次策划金焕基、李禹焕、金昌烈、朴栖甫等韩国艺术家展览，为韩国当代艺术的迅速崛起给予了很大帮助；并在1980年代着眼当时不为人知的中国当代艺术，举办了徐冰、蔡国强等人的个展,向全世界发布着以中日韩为中心的亚洲当代艺术信号。2002年在北京的798艺术区内开设了北京东京艺术工程（BTAP）。自此，东京画廊＋BTAP正是成立。東京画廊+BTAP（北京空间）自1990年代以来策划了一系列实验性的展览项目，积极向世界推广中国当代艺术，包括“北京浮世绘”、“念珠与笔触”、“什么是物派”等大型学术展览，都为中国当代艺术界产生了积极的影响。近年来，东京画廊+BTAP的展览策划主要围绕“新朦胧主义”系列展而策划，此项目试图整合东亚现代性的独特经验，寻找艺术的可能性，同时力求建立一个原理性的美学观。

画廊内景

Tokyo Gallery, the first contemporary art gallery of its kind in Tokyo, was founded in 1950. Located in Tokyo’s Ginza district, the gallery celebrated its 60th anniversary in 2010. From its inception, the gallery’s core operations centered on the works of modern Japanese figurative painters such as Chōkai Seiji (1956), Yorozu Tetsugorō (1957) and Kayama Matazō. In 1958, following a recommendation by art critic Takiguchi Shūzō, the gallery was host to an exhibition by Saito Yoshishige. In the 1960’s, the gallery was a forerunner in introducing a series of Western avant-garde artists to Japanese audiences, among whom Lucio Fontana, Yves Klein, Jackson Pollock and Friedensreich Hundertwasser. Meanwhile it was also instrumental in supporting experimental projects by now internationally-renowned Japanese artists, including Takamatsu Jirō, Shiraga Kazuo, Okamoto Tarō and members of the Mono-ha movement. Tokyo Gallery introduced their artworks to international audiences through art fairs, collaborations in biennales and acclaimed exhibitions at major museums.

In the 1970’s, the gallery began working with Korean artists such as Kim Whangki, Lee Ufan, Kim Tschang-Yeul and Park Seo-Bo. From the 1980’s onward, it also began exhibiting hitherto unknown Chinese artists including Xu Bing and Cai Guoqiang, thus taking on the role of signaling beacon for Asian contemporary art with a focus on China, Japan and Korea. In 2002, the gallery opened a new space named BTAP in the now world-renowned Beijing 798 Art District, marking the establishment of Tokyo Gallery + BTAP. Under its new moniker, the gallery’s Beijing location organized a series of experimental exhibitions from the 1990’s onward, actively spreading Chinese contemporary art to the world via such large-scale academic exhibition projects as Beijing “UKIYOE”, Prayer Beads and Brush Strokes and What is Mono-ha?. In so doing, it left a positive impact on the Chinese contemporary art world, allowing it to further its mission of discovering and promoting both established and emerging artists. In recent years, exhibition planning at Tokyo Gallery + BTAP has primarily revolved around an exhibition series themed around the notion of Neo-Mōrōism. This [Neo-Mōrōism] project aims to integrate the unique experience of East Asian modernity and explore the possibilities of art, while striving to establish an underlying aesthetic vision.

田畑幸人東京画廊+BTAP 总监

TABATA Yukihito Tokyo Gallery + BTAP Director

田畑幸人1950年生于东京，作为日本第一代现代美术画廊－東京画廊的创始人山本孝的次子，田畑幸人与東京画廊+BTAP同龄。从孩童时代开始，田畑便与艺术家们为伍，这种生活经验培养了他对于艺术良好的审美和开放的态度。高中时代开始沉迷于欧美当代艺术，70年代开始受父亲影响对中国传统字画产生了兴趣。

1973年，田畑幸人正式进入東京画廊工作，主要负责韩国当代艺术，于1975年协助完成了韩国当代艺术在日本的首次展览“Five Hinsek ‘White’5 Korean Artists‘5”(“五个‘白’五位韩国艺术家”，参展艺术家家有朴西甫、李东熀、徐承元、许榥、权宁禹)，此后持续关注韩国当代艺术，陆续为金基焕、金昌烈、朴西甫、李禹焕、沈文燮、尹亨根、丁昌燮、李康昭、李明美等人做过多次个展。在此过程中，他强烈感受到了亚洲的重要性和亚洲文化的深厚魅力。

1989年2月田畑幸人第一次来到中国，参观了“89现代艺术大展”，结识了徐冰等艺术家，让他感到中国当代艺术的震撼，此后开始深入接触中国艺术家，笃定了中国当代艺术在未来全球艺术中的重要性。1989年7月田畑幸人在日本举办了首个中国当代艺术展“中国当代艺术‘现在’”。此后正式开始推广中国当代艺术。1990年代先后为徐冰、蔡国强、黄锐、刘炜、星星十五周年、星星二十周年等在日本举办展览。

进入21世纪后，田畑幸人积极在中国寻找空间，于2002年在艺术家黄锐的介绍下，在北京798开设了BTAP空间，并于同年10月推出了空间首展——由冯博一策展的“北京浮世绘”，此后空间以每年6~8个展览的密度持续为宣传推广中国当代艺术发声，陆续推出“念珠与笔触”、“铸”、“物尽其用”、“什么是物派”等经典展览。2012年，田畑幸人为挖掘亚洲文化语境下的当代艺术，提出“新朦胧主义”概念，并于2013年开始策划了大型国际展览“新朦胧主义”，至今已举办“新朦胧主义”主题展8回，并将在这一领域继续深耕。

Born in 1950, Yukihito Tabata, second son of the founder of the first generation art gallery Tokyo Gallery, Takashi Yamamoto, is of the same age as the gallery. He became associated with artists since childhood, and this experience cultivated his aesthetics and an open attitude to things. Since high school, he became fascinated with Euro-American contemporary art, and since 1970s, he became interested in Chinese traditional arts.

Tabata officially began his career at Tokyo Gallery in 1973 in charge of contemporary Korean art, and in 1975, he helped realise the first exhibition of contemporary Korean art in Japan “ Five Hinsek ‘White’5 Korean Artists‘5” (participating artists include Kwon Young-Woo, Park Seo-bo, Suh Seung-Won, Hur Hwang, and Lee Dong-Youb). He remained committed to contemporary Korean art, successively holding solo exhibitions for the artists ... . Through this undertaking, he wholeheartedly felt the importance of Asia and the profound charm of Asian culture.

Tabata first visited China in February 1989, visiting the “89 Modern Art Exhibiton” and making acquaintance with artists like Xu Bing, which made him feel the power of Chinese contemporary art. Since then, he started engaging with Chinese artists, reassured of the importance of Chinese contemporary art in the future. Tabata held the first exhibition of Chinese contemporary art in Japan “Chinese contemporary art ‘Now’”. Thereafter, he officially began advocating for Chinese contemporary art. Around 1990s, he held exhibitions in Japan for Xu Bing, Cai Guoqiang, Huang Rui, Liu Wei, the 15th and 20th anniversaries for the Stars Group.

Tabata began searching for a gallery space in China since the 21st century. In 2002, introduced by the artist Huang Rui, he set up the BTAP space in 798 Beijing, and in October the same year, he held the first exhibition there “Ukiyo-e of Beijing” which was curated by Feng Boyi. Since then, the space held 6-8 exhibitions each year with the aim to promote Chinese contemporary art, launching iconic exhibitions such as “Rosary Beads and Brush Strokes", “Casting”, “Wast Not”, and “What is Mono-ha?“. In 2012, determined to uncover cultures belonging to the Chinese context, Yukihito Tabata put forward the concept of "Neo-Mōrōism" and began the curation of the large scale international exhibition “Neo- Mōrōism”. The exhibition has by now welcomed its 8th round, and Tabata will continue his exploration in this area.

作品推荐

Recommended Works

杉山功 SANTUARIO 310° 37x11x10.5cm 大理石 2009

Isao Sugiyama SANTUARIO 310° 37x11x10.5cm Marble 2009

冈本信治郎大笑的梵高 116.7x80.3cm Liquitex 1963-1997

Shinjiro Okamoto Laughing Van Gogh 116.7x80.3cm Liquitex 1963-1997

林于思星河 68x90cm 纸本水墨 2017

Lin Yusi The Milky Way 68x90cm Ink and color on paper 2017

田卫 1820-2018 紫金山之四 136x33cm 宣纸水墨 2019

Tian Wei 1820-2018 Mount Zijin 4 136x33cm Ink on paper 2019

王舒野时空裸体即 (122) 84x114cm 墨、岩彩、麻纸 2018年

Wang Shuye A Space Time Nude Identical(122) 84x114cm Ink、Mineral pigment、Japanese paper

曾健勇诸野之余纸本设色 2020

Zeng Jianyong The folk Society 50x50cm Ink and color on paper 2020

张天幕跑着跑着就飞起来了之含蓄 41x32cm 纸本坦培拉 2018

Zhang TianmuThen you fly, through the sky - Contain 41x32cm Tempera on paper 2018

朱建忠云归处 46x43.5cm Ink on paper 2020

Zhu Jianzhong Converging cloud 46x43.5cm Ink on paper 2020

叶剑青月夜 120x80cm 布面油彩、矿物色 2019

Ye Jianqing Moonlit Night 120x80cm oil, mineral pigment on canvas 2019

·图片与文字由画廊提供，致谢艺术家及東京画廊+BTAP

＠東京画廊+BTAP

2021艺术深圳将于9月9日至12日在深圳会展中心6号馆如期举办。本届艺术深圳共汇聚来自全球12个国家28座城市的72家顶级画廊及机构参展。其中，26家画廊将首次亮相艺术深圳，为公众带来全新的艺术审美体验。2021艺术深圳以更精彩的画廊阵容、更丰富的博览会单元、更具在地性的学术内容强势归来，期待您的参与！

The 2021 Art Shenzhen will be held as scheduled in Hall 6 of Shenzhen Convention and Exhibition Center from September 9 to September 12, 2021. The exhibition will bring together 72 top galleries and professional art institutions from 28 cities in 12 countries around the world. Among these attendants, 26 galleries will be bringing brand-new artistic aesthetic experiences to the public at Art Shenzhen for the first time. 2021 Art Shenzhen is looking forward to your participation with more attendant galleries, more exhibition sections and more academic content!

聚焦2021 · 第九届艺术深圳

Focus 2021︱The Ninth Art Shenzhen

深圳会展中心6号馆

（深圳市福田区福华三路）

Hall No.6，Shenzhen Convention & Exhibition Center

（Fuhua 3rd Road, Futian District, Shenzhen）